The other day a
massage-crazy friend was telling us about unheard of massages she had tried somewhere
in Hungary, making use of not just the usual olive oil, coconut oil, or mineral
oil, but also of Dead Sea salt combined with grated Himalayan rocks, grape seed
oil, whipped cream and yoghurt mixed with jasmine and ilang-ilang, jojoba,
honey, chocolate, wine, and Schnaps.
Wow, you’d think we were talking about making desserts out of the human
body.
Since it was an
intimate group of real friends, it was safe for anyone to brag, and brag I did,
as I told them about the body massage I had one night in Bangkok. “All those
massages use the hands! This
Bangkok body massage does need the hands to knead your body!”
I had it in a
place called Valentino, frequented by men wanting to “relax”. There were 120
“massage artists” in a big room walled in by one-way mirrors—we could see them
but they could not see us. All
fair skinned, young (aged 18-30), and wearing sexy lingerie, they were sprawled
on the multileveled floor, watching television. They wore numbered bibs so that a customer having cocktails
just outside of this veritable fishbowl could survey the bunch and tell the
floor manager his number of choice.
Just like the
male clients around me, I had to choose my girl. It was tough. I
started to get cold feet. I did not know what a body massage involved.
Appraising the heavily made up “massage artists”, I feared the unknown. I was
afraid I’d “get something” just being touched by one of those girls. On top of that the manager thought I was
gay, so he said, “We get around 120 customers nightly, five or six of whom would
be women, mostly foreigners. We
have girls specializing on women…” I told him all I wanted was an honest-to-goodness
professional job, something that might teach me massage techniques I could
apply on my husband, and then I let him choose the girl for me. He picked Number 32; her name was Ming
Ming.
Ming Ming led me
to our cubicle, a doorless bed-and-bath affair with a red light bulb, a vase of
plastic flowers, a bed, a bathtub, and inflatable plastic mats on a completely
tile-covered floor. Ming Ming smilingly chirped, “Remove clothes,” and prepared
the bath paraphernalia. I wiggled
out of my jeans. When I turned,
she was naked. (OMG, what am I
doing in this room with this naked stranger? But I braced myself for the unknown, believing that all
experiences in time may be turned to profitable literature).
She had to bathe
me before the massage, I understood.
Ming Ming ran the show like the mother she actually was. While soaping me in the warm tub she
kept on talking: “I leave hasbin
in Chiang Mai; he no coot, he have three wifes, no job. One day I say him, you go away, you no
coot hasbin!” She said her three
children were with her mother in Bangkok and that “I work here, give money to
mother, so my children they grow up and go school. You kiv me tip later?”
I replied, “Yes, if you’re good.”
She told me to
just close my eyes and relax. I
cooperated. “Give me arm,” she
chirped as she reached for more soap.
She scrubbed the arm quietly.
I was savoring the silence when I heard her chirping again, “Stand up,
dahlink!” She had this amusing way
of addressing me “dahlink”—a term of endearment she must have picked up from
American servicemen in Pattaya, who knows? Stand up,
dahlink! Sit here, dahlink! Kiv me foot, dahlink!
Ming Ming gave dahlink
a second sudsing, a second shampooing, a second bath, indeed, which made me
wonder why a massage would need such an elaborate cleansing ritual. But she went about it like it was
serious business. For all intents
and purposes she became for me an efficient nanny, while I virtually regressed
to infancy, secretly cooing and gurgling in babyish delight. Every square inch of my body was
scrubbed with a sudsy sponge, except—and this is why she can’t be a perfect
nanny—behind the ears! I had to do
it myself.
As my
extremities began to shrivel from the leisurely soak, Ming Ming cooed, “Move
here, dahlink!” It was on the
inflatable plastic mat on the tiled floor that (ahem) the body massage
began. Scooping more warm sudsy
solution onto my passive body, Massage Artist # 32 began to knead my thighs
with her breasts. Repeat—her breasts! I was speechless.
Then she did my knees, legs, arms, and abdomen—all with her breasts, OMG!
Then she came to
the parts that are verboten to the regular masseuse. Chiding myself, “Teresa, the things you go through in the
name of adventure!” I nonetheless
viewed with clinical detachment the bizarre exercise of flesh rubbing against
flesh that might have triggered more delicate responses had my masseuse been a
masseur. I was wishing there were
ceiling mirrors to show me how ridiculously funny we must have looked when Ming
Ming said, “Other side, dahlink!”
For the “other
side” she switched to using her fanny—her fanny!—amply
padded, I must say, and less jiggly than the boobsy. She massaged my back from the neck to the ankles with her
fanny in continuous circular motion—yeah, like a floor polisher. My whole body done—still without using
her hands—she asked me to turn over again and then proceeded to squeeze my legs
and thighs with her thighs. Her thighs! No wonder they called the girls “massage artists”, I
thought; using the thighs to massage is an art! You have to be an acrobat to do it safely.
Just as I was
beginning to tire of the whole thing, Ming Ming pulled me up and set me smack against
the tiled wall. Before I could
protest about the cold wall shocking my back, she resumed her fleshy gyrations,
methodically employing only her thighs and the globular portions of her torso
to massage. “Other side, pleeese?”
she said. I turned to face the
wall; she continued. This must look
hilarious—I thought—me naked and spread-eagled against the wall doing nothing, and
she frantically kneading my backside with her soapy bum. Looking back now, I’m glad we didn’t
have YouTube then, otherwise a secret
video of me going through this would
have gone viral, like the Hayden Kho collection!
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